EK ChromeStars

On the chrome line with Destroys!

TO BE CONTINUED...

Trueschool Monday #98

"Stand clear! Don man a-talk
You can't stand where I stand, you can't walk where I walk
Watch out! We run New York
Police man come, we bust him out the park
I know this for a fact, you don't like how I act
You claim I'm sellin' crack
But you be doin' that..."

"Sound of da Police" is the second and final single from rapper KRS-One's first solo album, Return of the Boom Bap. The song begins with KRS-One whooping twice to evoke a police siren (the "sound of the police"); this recurs several times throughout the song. This song was used in the trailer for Cop Out. "Sound of da Police" was released as a CD single featuring a b-side, "Hip-Hop vs. Rap". The song is produced by Showbiz from DITC.
The lyrics refer to police, in places like Bronx, New York. The lyrics are a protest against institutionalized racism, oppression and violence against the black community. This is all purveyed with lines like "Are you really for peace and equality?", comparing police officers to plantation overseers, from the slave trade. This song is very similar to a song released by N.W.A called Fuck tha Police, released 5 years earlier.

Custom Airbrush Mask

Trueschool Monday #97

"I'm a fuckin' walkin' paradox, no I'm not
Threesomes with a fuckin' triceratops, Reptar
Rappin' as I'm mockin' deaf rock stars
Wearin' synthetic wigs made of Anwar's dreadlocks
Bedrock, harder than a muthafuckin' Flintstone
Makin' crack rocks outta pissy nigga fishbones..."

"Yonkers" is a song by American hip hop artist and OFWGKTA member Tyler, The Creator, released as the second single from his second studio album Goblin. It was produced by Tyler, the Creator.

This place is bombed!

On the road with EK53 fellas Sim Kares and Roy.

Photos by MM Kutsu

Handmade mini canvases

Boom! Big Mora handmade mini canvases now available at Pirados Studios Tallinn (Rohu 13)!!
Size: 6 * 8,5 cm
Price: 15€ per piece

(Click on the image to enlarge!)

Trueschool Monday #96

"Take it back to the afros and the naturals
Cape cutter picks we slips into the back holes
I'm O.G. my nigga for real though
Straight up off that east side top of the hill yo
I'm looking at the overview
Thinking bout 86 damn I was overdue
Walking in the hood making mix tapes trying to walk up out the hood
While I'm chucking at the hood nigga talk about the hood
That I came from it raised me real Crip crazy..."

Doggumentary (previously titled Doggumentary Music and Doggystyle 2: Tha Doggumentary) is the eleventh studio album by American hip hop artist Snoop Dogg; released by Priority Records on March 29, 2011. Recording sessions for the album took place during 2010 to 2011. Production was handled by several record producers, including Battlecat, The Cataracs, Damon Albarn, Gorillaz, Jason Cox, David Banner, THX, DJ Khalil, Fredwreck, Jake One, Kanye West, Mike Dean, Jeff Bhasker, Lex Luger, Meech Wells, Soul Mechanix, Mr. Porter, Rick Rock, Rick Rude, Scoop DeVille, Scott Storch, Warryn Campbell, DJ Reflex, among others.

Pärasaarepõrgu!

"Metsakutsu & Eksotik - Õmmeldud Suu" TEASER!

Check out the teaser of Metsakutsu & Eksotik new video for song named "Õmmeldud Suu". Full video premiere will take place 29.November at 20.45 in "Eesti TOP 7"

Trueschool Monday #95

"Keep my eyes open and the case closed
No eyewitnesses no names I explode
Just the heavy set one with the big gun
And the sweet tongue shaking down everyone
Loot like micheal Jackson
Kicks like bo Jackson
Bitches like freddy Jackson
No need to action
The crew ooh no frontin’ no faking moves
Fighting and fucking the same thing we stick and move..."

Wallace began rapping when he was a teenager. He would entertain people on the streets as well as perform with local groups, the Old Gold Brothers and the Techniques. After being released from prison, Wallace made a demo tape under the name Biggie Smalls, a reference to his childhood nickname and to his stature; he stood at 6' 3" (1.91 m) and weighed as much as 300 to 380 pounds according to differing accounts. The tape was reportedly made with no serious intent of getting a recording deal, but was promoted by New York-based DJ Mister Cee, who had previously worked with Big Daddy Kane, and was heard by the editor of The Source.